Sunday, July 21, 2024

Longlegs

Director Oz Perkins has been carving a nice little space for himself within the horror genre. Longlegs is his fourth feature film and definitely the one that will put him on the map as a horror director. I've seen one of his other movies--The Blackcoat's Daughter--and thought it was good, but unrelentingly bleak. Longlegs is scarier, funnier, and wilder than Blackcoat, but still taps into the overwhelming sense of dread that pervaded Blackcoat.

That said, Perkins is still rough around the edges. Longlegs is a good movie, and VERY scary...but the plot is a little all over the place and the movie feels more like a collection of scary ideas and images than a cohesive, well-crafted story.

I will go into full spoilers and plot description for those who like to read about scary movies with no intention of seeing them. For those who don't want to be spoiled--go see the movie! It's worth the price of admission, even if it's not perfect. Just make sure to empty your bladder beforehand so you don't mess up the theatre seats.

Longlegs primarily takes place in the 1990s. Actress Maika Monroe plays Special Agent Lee Harker (can't help but think of Dracula character Jonathan Harker), a young and green agent in a male dominated field. Feels very Clarice Starling, right? That's because Perkins was heavily inspired by The Silence of the Lambs...at least in the first half of the movie.

Lee impresses her boss, Agent Carter (Blair Underwood) by showing some signs of...mild psychic abilities? She is able to point out a house where a killer is hiding out on one of her first assignments. She just knows he's there. They do a test where Lee is asked to guess a random number between 0 and 100, and she guesses correctly 8 times out of 16. Thus, she is jokingly deemed "half psychic" by Carter. 

Carter puts Lee on the case of a serial killer who has been active for decades. His MO is that he targets families with a daughter born one the 14th of a month and somehow compels the fathers to kill their wives and daughters. He leaves behind letters written in a code and signed "Longlegs".

(PS: Lee Harker's birthday is January 14th. Same as my dad's! Capricorns RISE UP).

After reviewing the case file, Lee points out some fairly obvious things, namely that there is never any evidence to suggest forced entry or that anyone else is laying a finger on these families. It's possible that Longlegs is never even in the house when the murders take place. But maybe someone else is? Someone the families trust enough to let in?

Lee gets an assist from Longlegs himself, who visits her isolated house in the middle of the woods in one of the scariest scenes. When Lee goes outside to investigate a noise, someone is seen inside her home. She discovers that Longlegs left her a birthday card and a key to the code, which helps her decode all his previous letters. This leads Lee and Carter to the home of the Camera family, where a murder took place, but the daughter, Carrie Ann Camera, was at school and thus survived the massacre. 

First, they investigate the family barn, discovering a VERY CREEPY life size doll modeled after the young Carrie Ann. It even has human hair on its head. When dissected, it's revealed that there is a strange metal ball inside the doll's head. Lee spoints out to the skeptical Carter that in some cultures dolls are used in magical practices. Carter doesn't think magic has anything to do with anything.

They visit Carrie Ann (played by Kiernan Shipka) in the mental hospital where she's lived since the massacre of her family. Apparently, she had a visitor just the day before who signed in under Lee Harker's name. Since that visitor, Carrie Ann came out of years of catatonia and is now speaking again. She says a lot of weird shit to Lee, like that if "the man downstairs" told her to throw herself out a window, she'd be "pleased as peaches" to do so. Obviously, the visitor was Longlegs, and obviously he is exerting some kind of mind control on Carrie Ann.

Meanwhile, Perkins occasionally cuts to scenes with Longlegs, played by Nicolas Cage in heavy makeup. Longlegs as a character is truly unnerving. He looks WEIRD, he talks weird, he's just very weird. Which makes scenes with his character both funny and deeply disturbing. 

At some point in all this, Carter shows Lee that her own mother made a phone call to the cops to report a trespasser in 1974, one day before Lee's 9th birthday. Carter thinks the trespasser may have been Longlegs himself. Lee visits her mother, Ruth (played by Alicia Witt), who is a deeply strange woman with vacant eyes and a dreamy quality. When Lee asks Ruth straight out what happened on her 9th birthday, Ruth just says "No" and refuses to engage. But she does tell Lee that she kept all Lee's stuff in her childhood bedroom. Lee discovers a box of polaroids, and in the biggest jump scare in the movie, it is revealed that Lee herself took a picture of Longlegs. Seeing him, Lee just knows that this is the guy. 

Shortly after, they arrest Longlegs, whose real name is Dale Cobble and who appears to be a raving lunatic who worships Satan. Lee questions Longlegs who speaks to her in riddles (mixed with song lyrics), and pretty much straight up reveals the plot. After he speaks to her about "the man downstairs" and "the seventh she, who was given the same choice as all the rest--crimson or clover"...he states that his work is done and then proceeds to bang his own head on the table until he dies.

Carter is furious because he believes that Longlegs wasn't using any kind of magic or witchcraft, though he did have an accomplice, and that now he is dead they'll never find out who it was. He tells Lee to go back to her mother, who might have seen the accomplice.

Fans of horror movies...do you see where this is going?

Lee and another agent, Agent Browning, go back to Ruth's home. While Lee is inside, trying to find her mother, she hears a gunshot. She sees her own mother, dressed in a nun's habit, shooting Browing at point-blank range. When Lee run's outside to confront Ruth, Ruth is standing in front of a life size doll of young Lee. She shoots it in the head, and we see a black cloud leave Lee's head. 

Then there is an exposition dump, told by Ruth to Lee and narrated like a fairytale ("Once upon a time, a little girl lived with her mother..."). Ruth explains how on Lee's 9th birthday, Longlegs came to murder them, but Ruth begged him to spare Lee's life and agreed to be his accomplice. Longlegs was a dollmaker who made super realistic dolls of little girls and put a metallic ball in each doll's head that were infused with...the power of SATAN! Ruth would visit the homes of the families marked for death and deliver the doll as "a gift from the church". Once the doll was inside, it would influence the father to kill their families. Ruth had to watch to make sure everything happened the way it was meant to. It destroyed her inside, but this was the choice she made to protect Lee. 

Oh, by the way, Longlegs lived in Lee and Ruth's basement the entire time...this is where he made the dolls. The reason Lee didn't know is because she had her own doll that "told her where to look and what not to see", so she had no idea a man was living downstairs. 

Lee wakes up to a telephone ringing in her mother's house. Upon answering it, a voice reminds her of Ruby Carter's birthday. Ruby is the daughter of Agent Carter. Lee shows up, but it's too late. Her mother is there in her nun's habit, having just gifted a doll to Ruby. Agent Carter murders his wife in the kitchen and when he comes out, Lee shoots him and then shoots her mother. She attempts to shoot Ruby's doll, but there are no bullets left. The final scene is Longlegs saying "Hail Satan!" and making a kissy noise at the camera.

WHEW.

So my biggest issue with Longlegs is that instead of allowing Lee to put all the pieces together, there is just an exposition dump that explains everything. It's more satisfying when the lead character makes discoveries as opposed to just being told what's going on. 

Longlegs starts out as a fairly straightforward thriller/crime movie and then becomes supernatural. This is fine, but it also felt...messy. I mean, first of all there's a super creepy killer, but also he worships Satan, and then there are dolls that are imbued with Satan and influence people to kill...and Lee is tied to the whole thing. It's just too much. No wonder Perkins had to throw in the exposition dump. The movie would have been really long and convoluted otherwise. 

You know how Coco Chanel said "After you get fully dressed, take on thing off"? Longlegs would have benefited from taking one element out. As it is, the movie just feels crammed with ideas--all of them very intriguing and spooky, for sure! But all together they take what could have been a well-balanced dish and turn it into a child's ice cream sundae, with every type of candy known to man thrown in. 

I'm not super mad at it though, because the bones of a good horror movie--maybe even a great horror movie--are in here. Perkins just needed to trim the fat a bit. In terms of being scary, Longlegs does its job. I felt my soul leave my body a few times during the movie. But in terms of being a smart story, it's just not there. I'm hopeful that Perkins will continue to hone his craft and deliver as a truly great horror movie in the future. 

Grade: B+

Sunday, July 14, 2024

I'm a STAR!!!

Two movies about women who will do whatever it takes to rise to stardom.

***

MaXXXine

I'm sad to say that Ti West's MaXXXine was a disappointment for me. MaXXXine is the third in a triology of movies directed by West and starring the incomparable Mia Goth. The trilogy begins with X, which I reviewed here.  X is a pretty straightforward slasher, inspired heavily by The Texas Chainsaw Massacre. A group of adult filmmakers, including Maxine Minx (Mia Goth), rent out a bed and breakfast on a Texan farm to surreptitiously film a porno. They are slaughtered by Pearl (also played by Goth) and Howard, the elderly couple who own the bed and breakfast. Next came Pearl, which focuses on the life of young Pearl (played by, who else, Mia Goth) as she begins her murderous career in 1918.

Finally, we come to MaXXXine, which follows Maxine Minx (still played by Mia Goth), a few years after the events of X (Minx was the "final girl" who survived the massacre). The year is 1985, the place is Los Angeles, and Maxine is trying to jump from porn to horror movies. The City of Stars is being terrorized by the Night Stalker, and we catch glimpses of a man with leather gloves who appears to be stalking Maxine. Is it Richard Ramirez? Or is it someone who knows about what happened to Maxine and her crew at that bed and breakfast in 1979?

Unlike X, which was funny, gory, and had a great ensemble cast, and Pearl, which was a unique and colorful mishmash of genres, MaXXXine is just meh. The movie just doesn't shine. The script is pretty weak and Mia Goth gives her weakest performance of the trilogy. In the first two films we spent ample time with all the characters who were killed, which added some emotional stakes to the movies. In MaXXXine, we barely get to know the victims. Hell, we barely know *Maxine*, the star of the show! 

Despite a few fun scenes (check out the scene with Maxine and a Buster Keaton impersonator in a deserted alley), MaXXXine feels like decaf coffee after the shots of espresso that were X and Pearl. Major bummer! However, I will add that I saw this movie with a friend of mine who isn't the biggest fan of horror and she really liked it. She pointed out that it's more of a thriller/crime movie than a horror movie, which is very true. Also, there are many fans of the trilogy who enjoyed MaXXXine more than or equal to the earlier films, so I think it really comes down to personal taste. If you like 80s horror, give MaXXXine a watch.

Grade: B-

***

Showgirls

Directed by controversial filmmaker Paul Verhoeven, Showgirls is infamous. Considered to be one of the worst movies of all time, Showgirls follows Nomi Malone (Elizabeth Berkley), a woman with a troubled past who dreams of becoming a Las Vegas showgirl. After hitching a ride to Sin City, she begins her journey to stardom at a strip club called The Cheetah, where she captures the attention of Cristal Connors (Gina Gershon), a powerful star of a show called "Goddess" at the Stardust Resort and Casino. Cristal buys a private lap dance for her boyfriend, Zack Carey (Kyle MacLachlan), who also happens to be the entertainment director of the Stardust. Nomi dry humps Zack until he comes in his pants while eye-fucking Cristal.

You might think my description of the lap dance is crude, but that's because Showgirls is the most gloriously, shamelessly, trashy movie in existence. This movie is on another level. If I had a nickel for every nipple I saw in this movie, I could quit my job and spend the rest of my life playing the slots in Vegas. Showgirls is SO misogynist and exploitative of women that it circles around to parody and then back around again to sheer misogyny. I will mention that there is a GRAPHIC rape scene near the end of the movie that is completely inappropriate and unnecessary, not to mention racist (one of the few Black characters is the victim) and triggering. Look. I've seen the movie Irreversible, which features a goddamn 9 minute scene of sexual assault, but this scene felt way more upsetting and disgusting. 

Despite the truly offensive scene of sexual assault, Showgirls is just so confoundingly entertaining that I don't know how to process it. It's very much a "so bad it's good" movie, or rather a "so outrageous it's hilarious" movie. Here are a few lines from the movie to give you a sense of what I'm talking about:

"She looks better than a ten-inch dick and you know it!"

"Come back when you've fucked some of this baby fat off. See ya."

Zack: Tell me something, how much did you charge? Hooking.
Nomi: Fifty. Hundred sometimes.
Zack: You got low self-esteem baby. You're a fantastic fuck.

With its dazzling costumes, makeup, hair, and dance sequences, Showgirls proves to be diamond-encrusted, champagne-soaked trash. If you can stomach this misogyny, it's a perfect bad movie night watch. Even though I fully acknowledge the limitations of this film, I can't deny that I had a great time watching it. 

Grade: A for entertainment, D for quality

Friday, July 5, 2024

Kinds of Kindness

Yorgos Lanthimos is one of the most interesting directors working today. His films take place in a reality adjacent to our own, with elements of magical realism that are just taken for granted. For example, one of my favorite Lanthimos films, The Lobster, takes place in a world in which being single is illegal, so divorcees and widows are sent to a hotel where they have 45 days to find a mate, or they are transformed into an animal of their choosing. The title refers to the main character's preferred animal, if he fails to find a mate. How is this process done? It's never explained or shown. Why is it illegal to be single? It's never explained. And this is what makes Lanthimos's films so unique--he creates realities that are absurd and he doesn't hand-hold the viewer. 

This is also what makes the director so "icky" to a lot of viewers. His films are often mean-spirited and grotesque. Last year, his movie Poor Things was released and I found it to be the most positive and humane of his films. Notably, he was adapting a novel. When Lanthimos writes his own films, they are much meaner and crueler.

His latest, Kinds of Kindness, has that signature Lanthimos cruelty, coldness, and pitch-black sense of humor. The film is an anthology. Clocking in at a hefty 285 minutes, Kinds of Kindness is actually three shorter films, all with the same cast (playing different characters in each short film). The themes that run throughout each of the short films include power and control, abusive relationships, and the fear of being abandoned.

The first of the three is titled "The Death of R.M.F.". In it, Jesse Plemmons plays Robert, a man who lives a comfortable lifestyle which is fully financed and controlled by a man named Raymond (Willem Dafoe). Raymond tells Robert when to wake up, what to wear, what to eat at each meal, whether or not Robert can fuck his own wife (a wife hand-picked for him by Raymond), and which books to read (Anna Karenina). In exchange, Robert lives in a gorgeous house and wants for nothing. Is this a BDSM relationship? Well...it's too weird for that. But it's definitely a relationship. When Raymond eventually asks Robert to do something that he cannot agree to, the relationship falls apart and Robert is left to his own devices after years of having his every action guided by this god-like figure.

In the second film, titled "R.M.F. Goes Flying", Plemmons plays Daniel, a man whose wife goes missing at sea. When his wife (played by Emma Stone) is rescued, Daniel becomes convinced that she is an imposter and that his real wife is still out there, somewhere.

Finally, in the last film, "R.M.F. Eats a Sandwich", Emma Stone is the main character. She plays Emily, a woman who is part of a cult (led by Willem Dafoe) that is obsessed with purity of fluids and also with finding a woman who can bring the dead back to life. Emily and Andrew (Jesse Plemmons) are sent on a mission by the cult to find this woman. 

Kinds of Kindness has been described as "off-putting" and "alienating". Grotesque and shocking things occur in each segment. But as I like grotesque and shocking things, the movie was extremely up my alley. It reminded me of a book of short stories titled You Know You Want This by Kristen Roupenian (who gained fame with her short story "Cat Person", featured in The New Yorker). Those short stories are all about power, control, violence, dominance, and submission.  Likewise, Kinds of Kindness has a dark, kinky feeling about it--but not in a sexy way at all. More like in a "how does a person end up in this situation??" way. It's also a really funny movie. I laughed quite a bit throughout.

The acting is great, particularly Jesse Plemmons who is a pleasure to watch in every movie he's in. He reminds me quite a bit of the late, great Philip Seymour Hoffman, both in looks (strawberry blonde hair and heavier frame), but also in his ability to steal any movie he's in, even if just for 5 minutes. Another standout is Margaret Qualley, who also wows in everything I've seen her in and is no stranger to fucked-up, kinky movies. The main cast also includes Dafoe, Stone, Hong Chau, Mamoudou Athie, and Joe Alwyn. All of them bring their A-game to each of their parts in each short film, no matter how big or small those parts are.


I recommend Kinds of Kindness to folks who like dark, fucked-up, bizarre movies. Be warned that if you have a trigger, it's probably represented in here somewhere (I'll make a special mention that there is a scene of sexual assault in the third short film). If you like bizarre movies but this one sounds like a bit much, I recommend checking out Poor Things which is as strange and dreamlike as Lanthimos's other films, but with a much more positive and hopeful message. 

Grade: A-

Monday, July 1, 2024

Stuff I watched in...June, 2024

Hit Man

Richard Linklater's latest film is a frothy delight and is (mostly) based on a true story. Leading man Glen Powell plays Gary Johnson, a mild-mannered philosophy professor who teaches at the University of New Orleans by day and does some tech work for the New Orleans Police Department in his spare time. When undercover cop Jasper (a wonderfully slimy Austin Amelio) gets put on probation, Gary is offered the opportunity to portray a hit man as part of a sting operation. He does surprisingly well and becomes the NOPD's go-to undercover guy while Jasper is out.

Hit Man takes that stereotype of "nerdy girl who transforms into a beauty queen when you remove her glasses" and applies it to handsome Glen Powell. Powell genuinely seems like a nerdy, plain man in his college professor clothes and dorky haircut, but he transforms into a believably macho (and sexy) hit man when given a leather jacket and a different hairstyle. And when he dresses the part, he also acts the part: confident, mysterious, with a hint of danger. 

While playing the role of "Ron", a killer for hire, Gary meets Madison (Adria Arjona), an abused and scared woman looking for someone to take out her violent asshole of a husband. Feeling empathy for Madison (and not wanting to get her arrested), Gary (as "Ron") refuses her money and tells her to use it to leave his husband instead. The NOPD is pissed at him, but Gary feels that Madison is an exception to the typical lowlifes who want to hire him. 

Later on, Gary runs into Madison (who has left her husband) and the two begin a very sexy romance...the only problem is that Madison only knows Gary as Ron and he's afraid that if he reveals the truth, she'll leave him. So he keeps up the charade and also keeps Madison at a distance, explaining that she can't know about his dangerous life as a hit man. You can probably guess that hijinks ensue.

Hit Man is based on a long-form journalism article written by Skip Hollandsworth for Texas Monthly. This is the second time Linklater has brought a Skip Hollandsworth article to the silver screen: his film Bernie, starring Jack Black, is also based on an unbelievable true story. While not quite as intriguing as Bernie (one of my favorite movies), Hit Man has a similar vibe. It's a very positive story despite some dark content. As I said above, it's "frothy". It's a mix of neo-noir and romantic comedy and the chemistry between Powell and Arjona is palpable. Hit Man, which is streaming on Netflix, is well worth the watch.

Grade: B+

***

Fallout (TV series)

I watched Fallout without having played the video games the show is based on, but I was still able to follow the plot pretty easily. It was good, though not as good as The Last of Us, the *other* post-apocalyptic show based on a video game. And I know that the two shows are very different, but one can't help but compare. Fallout is funny and I love the retrofuturism of it all. I'm not going to go into the plot because, well, it's a lot. I'll say that my biggest gripe is that pacing felt a little off and a TON of stuff happened in the last 30 minutes of the final episode (setting it up for another season, which is fine, but it came off as rushed). 

The acting is all-around great. Ella Purnell, best known for her role as Jackie in Yellowjackets, is wonderful as the naive, yet brave and good-hearted Lucy, who leaves the safety of the underground bunker in which she grew up to save her dad, Hank (Kyle MacLachlan, perfect in this role), after he is kidnapped by raiders. Ella teams up with Maximus (Aaron Moten, a talented up-and-coming actor), a squire of the Brotherhood of Steel, to deliver an important piece of technology to the woman who kidnapped her dad. Walton Goggins rounds out the main cast as The Ghoul...and he is just his most Goggins-y self as a...well, part-cowboy, part-zombie. 

I probably didn't appreciate Fallout as much as the folks who have played the games, but I enjoyed it. It was entertaining with a delightful cast of characters and some really fun worldbuilding. 

Grade: B+

***

The First Omen

I was really surprised at how much I enjoyed Arkasha Stevenson's horror prequel The First Omen. Cinema is currently saturated with sequels, prequels, and reboots of horror franchises, many of them downright awful. I had no plans to see this movie until I started hearing some good things about it and found it streaming on Hulu.

Starring Nell Tiger Free (best known for her role as Leanne in the TV series Servant) as Margaret, a novitiate nun soon to take her vows in Italy in 1971, The First Omen reveals how Damien from The Omen came to be. And it is a wild story. I won't go into plot spoilers, but Margaret, with the help of priest Father Brennan (Ralph Ineson, perfect in this role), discovers a conspiracy in the Catholic Church. They rush to uncover the truth before it is too late.

The First Omen is genuinely good and scary. I mean, it's not going to win any awards, but I was captivated by the story and really creeped out during a few particularly unnerving scenes. Nell Tiger Free is a true "scream queen"--quite literally in one scene where she absolutely lets those primal screams rip, a la Isabelle Adjani in Possession. The acting really elevates what could have been a trashy religious horror film. Well, The First Omen is still a bit trashy, but in a fun way. One can't help compare it to Immaculate, the *other* Catholic pregnancy horror film of 2024, and while both movies are fun, I think The First Omen squeaks out as the better film.

Grade: B+

***

Infested

This French horror film, about venomous spiders that take over an apartment building, is not for those with arachnophobia. I really don't like spiders and I was cringing, flinching, and scratching at my skin the whole movie. 

Theo Christine stars as Kaleb, a guy who buys high end sneakers and other merchandise on the black market and resells it. He also likes exotic insects. He buys a spider from his merchandise guy and, of course, it escapes in his shitty apartment building, lays eggs, and absolute chaos ensues.

Director Sebastien Vanicek wanted to make a statement about how certain people (people of color, those who live in poverty) are considered "vermin" in France. In Infested, the residents of the apartment building are literally trapped inside by the cops and left to die so as to avoid infecting anyone else. Kaleb, his sister, and their friends must find a way to escape before the rapidly reproducing spiders (who also grow frighteningly huge) overtake the building completely.

Infested isn't that great of a movie, but it's pretty effective at giving you the heebie jeebies. With action sequences where people have to walk through a dark hallway covered in cobwebs and filled with spiders, anyone who has even a hint of spider-phobia is going to be uncomfortable. Watch at your own risk!

Grade: B

***

Shadow of the Vampire

Directed by E. Elias Merhige (same guy who directed the arthouse film Begotten, for all you horror film nerds), Shadow of the Vampire blends reality with fiction. It's about the filming of the 1922 silent film Nosferatu. John Malkovich plays eccentric and exacting director F.W. Murnau, who hires the mysterious Max Shreck (Willem Dafoe) to play the role of Count Orlock (the "Nosferatu" character). Murnau explains that Shreck will only appear in makeup and they will work around his schedule, mostly doing night shoots. The rest of the cast and crew are annoyed, but comply. And then weird things start happening on set.

Shadow of the Vampire asks: what if the guy who played "Nosferatu" actually was a vampire?! I love this whole concept and this movie is FUN. Malkovich and Dafoe are known for playing eccentrics and seeing them go toe-to-toe here is wild. If you like vampire movies, especially the non-sparkly type of vampires, check out this under seen and under appreciated gem of a film. 

Grade: B+

***

Remembering Gene Wilder

This documentary about the life of Gene Wilder is fine, but if you've already read his autobiography, Kiss Me Like a Stranger, there is not much new information here. In fact, the narration for the film is Gene Wilder reading his autobiography. There are interviews with Mel Brooks, Richard Pryor's daughter, Rain, and Wilder's widow, Karen Boyer, which provide fun anecdotes about the actor and his most famous roles. 

If you like Gene Wilder and haven't read his autobiography, this doc is worth checking out. Otherwise, skip it and watch something like the next movie on my list...

Grade: B-

***

Young Frankenstein

So, I got on a Gene Wilder kick a few months ago when I watched Blazing Saddles for the first time and since then I've read his autobiography and rewatched some of his most famous films, including Willy Wonka and the Chocolate Factory and The Producers. It's been a really, really long time since I first watched Young Frankenstein, which Wilder co-wrote with Mel Brooks. It's hard to find the movie online but lo and behold the library I work at has a DVD copy!

I mean, what can you say? Young Frankenstein is a classic. It's one of my dad's favorite movies (it's probably one of YOUR dad's favorite movies too!) and he would often quote (and act out) the "walk this way" scene. It's hilarious, but it's also surprisingly sweet. It's a rare film that can have a genuinely touching moment where Dr. Frankenstein holds his creation and tells him that he is a beautiful child of God and just needs love and understanding...and also end the film on a dick joke. 

The supporting cast is excellent: Marty Feldman as Igor, Teri Garr as Inga, Madeline Kahn as Elizabeth, Cloris Leachman as Frau Blucher (*horse whinny*), and Peter Boyle as the Monster. Hell, even Gene Hackman has a cameo. The whole cast just comes together in a beautiful way and makes for an unforgettable comedy. If you haven't seen this comedic masterpiece, get on it!

Grade: A-

***

Legends of the Fall

Directed by Ed Zwick, Legends of the Fall was my motherfucking jam when I was 12 years old. The film follows the three Ludlow brothers--youngest Samuel (Henry Thomas), middle Tristan (Brad Pitt) and eldest Alfred (Aiden Quinn)--and their virulently anti-government father, Col. William Ludlow (Anthony Hopkins) from the early years of the 20th century through the 1920s. 

The three brothers all fall in love with one woman, Susannah Fincannon (Julia Ormond). Henry brings Susannah home as his fiancee, but Tristan and Alfred also have an immediate attraction to her. When all three brothers enlist in the Canadian Expeditionary Force to fight in WWI, their father (a Colonel himself) is pissed. Samuel and Alfred enlist because their personal values insist upon it, but Tristan joins to protect Samuel.

While Brad Pitt as wild-child Tristan is the main character of this film, I was in love with Henry Thomas when I saw this movie as a pre-teen. Samuel is described as "the best of us" in the movie, and it's true. All of the other characters are, to greater or lesser extents, pretty horrible. Legends of the Fall is the film version of an old school romance novel: it has a muscular, rebellious, long-haired hero, hella toxic masculinity (as well as questionable portrayals of Native Americans), melodrama out the wazoo, and a tragic love story at the center. It's gorgeously filmed and the soundtrack is almost overwhelming at times. It's exactly the type of movie to be popular and win awards in the mid-1990s. 

Overall, I gotta say I love it. I recognize that my nostalgia for the film plays a role in how I feel about it today, but damn if it doesn't leave an impression. If you're in the mood for a beautiful melodrama starring beautiful men, you could do worse than Legends of the Fall

Grade: B+