Saturday, May 27, 2023

Power Tripping

Movies: Sanctuary

Spoiler warning for the entire post

I was in New York City recently, taking a fun trip with my friend, and during a rainy afternoon we decided to see a movie. We specifically wanted to see a movie that was only playing in New York and when I saw that Sanctuary was playing--a movie about a dominatrix and her client facing off in some tense way in a hotel room--I was like "this is the movie we have to see".

My friend was skeptical when some previews for horror movies played before the movie. She was like "Jenny, is this a horror movie?" and I was like "I don't...think so??" But I think that built some tension in our minds before the movie even began. 

Sanctuary is directed by Zachary Wigon, who is very new to directing, and it's based on the screenplay by Micah Bloomberg (not to be confused with *Michael* Bloomberg). It stars Christopher Abbott, whose breakout role was playing Charlie Dattalo in the show Girls and has been taking some incredibly interesting film roles since then (this is his second role as the client of a dominatrix!). Abbott plays Hal, a very wealthy 30-something guy who is heir to a hotel empire. His father just died, leaving everything to him. But Hal isn't the man his father wanted him to be. Sanctuary gives off big Succession vibes with a Mean, Rich Daddy hovering in the back of the main character's mind at all times. Hal's father wrote a book explaining that there are two types of people in this world: people who win, and people who don't.

Hal desperately wants to be a person who wins, but he is not. 

Margaret Qualley, a supremely talented young actress, plays Rebecca. The movie opens with a scene between Rebecca and Hal that ends with Rebecca in a power suit, sitting in a chair with her legs open in a total bitch boss stance while Hal cleans the (already clean) hotel bathroom on his hands and knees in his underwear. Rebecca at first tells Hal he's garbage, but then amends this to say that he's actually less than garbage: he is nothing. "You don't even take up space" Rebecca cruelly purrs into Hal's ear as he masturbates at the end of their scene.

But the next scene of the movie shows Hal and Rebecca eating luxurious room service food and talking about what a great BDSM scene that was. The audience realizes that these two have a relationship. It might be a customer/service provider relationship, but they appear to have real affection for one another and enjoy each other's company outside of the bedroom--err..the bathroom, that is.

So when Hal informs Rebecca--after giving her an extremely expensive watch--that they can no longer have their sessions now that Hal is the head of the hotel conglomerate, Rebecca is taken aback. At first, she leaves in a huff--a sort of "well, I'll take my ball and leave" kind of way. But in the hallway, something makes her turn back. She comes back to the room and informs Hal that she's need a larger parting gift than the watch.

She explains to Hal that it is she, Rebecca, who has given Hal the confidence to run his dad's company. Before their sessions, Hal couldn't express what he wanted and Rebecca taught him to do that. You might be wondering, "wait, so by being forced to clean a toilet on his knees and being told he's garbage, Hal gained confidence!?" Yes, BDSM--like God--works in mysterious ways. I can totally buy that a weak, scared man would become a confident man with the help of a skilled sex worker*

*please note that sessions with a dominatrix is no replacement for work with a licensed therapist! They may cost roughly the same though...

So Rebecca asks for half of Hal's salary for the first year he's in charge of the company--4 million dollars. When Hal refuses, Rebecca tells him that she has videos of their sessions and that she can easily send them to the board. Thus begins a cat-and-mouse game where Hal and Rebecca fight for power. 

My friend and I were both scared that Sanctuary might go in the "dead sex worker" direction. Hal even informs Rebecca that he can "make her disappear". But whenever Hal has the upper-hand, Rebecca manages to always take it back. Her demands become even greater: 4 million is not enough. She wants a position in the company. "Would it be crazy if we were co-CEOs?" she asks Hal. "Yes!!" Hal replies in exasperation.

What I loved about Sanctuary is that every time the movie would start to go in a scary direction (such as when Hal literally has Rebecca tied to a bedpost), it would always come back to something funny, playful, sexy, and even sweet. Watching the movie was like being part of a BDSM scene: I had to put my trust in the director and writer, and submit to wherever they were taking this. And they did not disappoint and led the audience to a delightful climax.

At a certain point in the movie, Rebecca reveals her cards: she has dumped her boyfriend and stopped dominating other men because she wants to dominate Hal full time. She points out how well this dynamic works for both of them--she gets to be the funny, mean woman she always dreamed she'd be and Hal gets to have the catharsis of having his worst fears about himself confirmed ("you are nothing") but then in doing so gain the confidence and self-respect he's actually looking for. But let's be real: Hal is not CEO material and both he and Rebecca know it. Hal just can't admit it to himself and admit what he really wants...

...until the very end, where he and Rebecca discuss business strategy (which Hal knows nothing about and Rebecca knows a lot more than you'd guess). Hal decides that he will buy his company back from the stakeholders because then he can put whomever he wants in charge. He convinces Rebecca that *she* should be the CEO of the hotel empire. But what will Hal do? Hal tells her that if she's going to be running a company this big, she'll need a lot of support: a clean house, meals on the table, and sex. 

Hal: "What's the name for someone who provides all that?"

Margaret: "A slave?"

Hal: "Yes! A slave! That's the job I was meant to have."

My heart was fluttering. And then when Rebecca asks what Hal will tell his mother about this crazy turn of events, Hal says "I'll say, 'This is Rebecca. We're in love. And she's in charge now.'"

They kiss in the elevator and the movie ends. THIS IS THE ROMANTIC COMEDY ENERGY I'VE BEEN LOOKING FOR. 

Of course, the movie and the ending are unrealistic and ridiculous but that's because Sanctuary was a stealth romantic comedy and ALL romantic comedies are unrealistic and ridiculous...but you can't help but grin like an idiot when the two lovers overcome their obstacles and decide to be together. And while I pretty much hate all vanilla romantic comedies, I finally found one that speaks to my heart. 

My only criticism is that Sanctuary didn't spend enough time establishing the romantic connection between Hal and Rebecca. We don't know who these people are to each other, except a service provider and a person who pays for a service. So when Rebecca confesses that she wants their Dom/sub dynamic to be full time, it feels a bit out of left field. I guess part of that choice was to keep the audience on its toes. But I think if there had even been a couple more minutes of banter between Hal and Rebecca while they chill out after their scene at the beginning, it would all make a lot more sense.

Despite that criticism, I found Sanctuary to be delightful, as did my friend. We need more wholesome kink movies. And this one was both wholesome and edgy, never getting too dark and never getting too sentimental or cute. Truly a Goldilocks of an erotic-thriller-rom-com!

Grade: A-


Saturday, May 6, 2023

Stuff I watched in...April, 2023

April was a weird month for me in terms of watching movies and TV. I "DNFed" (did not finish) three movies and rewatched a couple favorites. All told, I only watched three "new" (new to me) movies all the way through, one of which was Beau is Afraid, which I did a separate review for. So, overall, a wildly uneven and disappointing month for movies.

***

The Scary of Sixty-First

The only good thing about this 2021 horror film about two women who inadvertently rent a New York City apartment that was previously owned by Jeffrey Epstein is its run time: a blessedly short 80 minutes.

Directed by Dasha Nekrasova, The Scary of Sixty-First is a film with a good idea (a cursed apartment) that unfortunately uses a real life person whose crimes go beyond disgusting or tragic and into the realm of "if there is a Hell, it's too nice a place for this motherfucker" as the crux on which the movie lies. The problem with this is that the movie becomes exploitative. The movie turns Jeffrey Epstein's crimes into horror entertainment, and thus makes a joke of his victims. 


This is not a documentary about Epstein and it's not a drama about him. It's a movie where two young women rent a suspiciously cheap apartment in NYC, only to discover that it was owned by Epstein. One of the women, Noelle, becomes obsessed with Epstein conspiracy theories (fair enough) while the other, Addie, basically becomes possessed and spends the majority of the movie begging her boyfriend to "fuck me like I'm 13" and humping pictures of Prince Andrew while sobbing hysterically. Boy, I wish I was joking. The "reason" behind this behavior is that the CIA is controlling Addie's weak mind...or the apartment is possessing her...or something about the occult...? It's never really explained.

I've watched Salo. I've watched Martyrs. I've watched movies where nuns use a crucifix to masturbate (Ken Russell's The Devils--highly recommended!). I am not easily offended by radical and blasphemous ideas in film. But this movie offended me. Like I said above, whether intentional or not, the movie makes a joke out of the many children who were raped by Jeffrey Epstein and his friends. I'm sure the director would say that she wasn't intending that to be the message, but that is how it feels when we see Addie furiously masturbating to a picture of Prince Andrew and whining in a high-pitched, childlike voice. 

Fuck this movie. I recommend staying far away from it. 

Grade: F

***

Experimenter

Written and directed by Michael Almereyda, Experimenter is a biographical drama about the life and work of Stanley Milgram (played by one of my faves, Peter Sarsgaard). 

In case you skipped Psych 101 in college--Milgram is the guy who would have an authority figure tell a participant in the experiment to deliver electric shocks to another participant when they made mistakes, even when the participant being shocked begged the other participant to stop. Often, the person delivering the shocks would ask the authority figure (just a guy in a lab coat) if they could stop the experiment and the authority figure would always say no. In 65% of the experiments, the person delivering the shocks would keep going until the other participant (often in another room) would stop responding as if they were hurt, passed out, or even dead.


Now it turns out that the participant in the other room receiving "shocks" was actually in on the whole thing and was not being shocked at all and only faking their distress. The experiment was all about if people would listen to an authority figure even if that person was telling them to hurt someone else. 65% of time, regardless of gender or race, the person in the experiment would do just that.

The movie delves into Milgram's personal life (he was Jewish and was motivated to create this experiment based on the trial of Nazi Adolf Eichmann who claimed that those who committed atrocities during the Holocaust were just following orders) and his other experiments (the lost letter experiment, which is much cheerier than the shock experiment). Experimenter is a very solid biopic with a great cast...but I feel like it's less about being a good movie, and more about serving as a tribute to a man who conducted one of the most important experiments of the 20th century. If the movie inspires people to learn more about Milgram and about human psychology, then it has done its job.

Grade: B

***

Succession (season 1)

Succession is a good show about contemptible people. Very well-written, often hilarious, and with wall-to-wall fantastic acting, Succession is still difficult to watch because all the characters are rotten to their core, none more than the patriarch Logan Roy (Brian Cox) who, frankly, can fuck right off to hell in my opinion. But his progeny, Connor the milquetoast coward (Alan Ruck), Kendall, the entitled bro (Jeremy Strong), Siobhan, the faithless bitch (Sarah Snook), and Roman, the disgusting psychopath (Kieran Culkin) are all equally fucked up. 

Now, of course, as you watch you see glimmers of humanity in all of these people, but at the end of the day this isn't a show about well-rounded and flawed characters doing their best in this crazy world. It's about the super wealthy taking out their massive psychological problems on other people and doing so in comfort and style. I'm probably going to keep watching for the clever writing and to see if maybe at the end of the series they all die (in great pain) in a fire. One can only hope!

Grade: B+


Tom Wambsgans, still a piece of shit but the only character I don't want to murder at all times.










***
DNFed:

House of Darkness

When I saw that this mediocre vampire movie was written and directed by Neil LaBute, I wasn't surprised. It has his signature cringe gender politics (LaBute strikes me as a misogynist who hides his true feelings in plain sight by writing pathetic, asshole men into his plays and movies). I didn't have the patience for it, so I turned it off.

The Autopsy of Jane Doe

The premise is intriguing (two men do an autopsy of a young woman with very mysterious symptoms--for example, her lungs are burnt to a crisp while her skin is unburned) but, 1) Emile Hirsch is in it and he's a violent asshole (he assaulted a woman and strangled her in 2015) and 2) I just wasn't feeling it. So I looked up what happens at the end and just stopped watching.

Dashcam

I was warned about this one. The main character, Annie Hardy, is an indie singer playing herself and, unfortunately, she is profoundly annoying. Hardy is a Trump-supporting, anti-vaxxer who is also just very loud and the human equivalent of nails on a chalkboard. This is a found-footage horror movie, but the real horror is the MAGA asshole treating everyone around her like shit. There was no way I was watching the entire movie, especially when I found out (SPOILER!!!!!!) that Hardy doesn't die in the end. 

***
Rewatched:

Fargo - A+

The Departed - A

Game Night - B+