Specials: Inside
20,000 years of this, 7 more to go.
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Years from now, we're going to look back on 2020 and 2021 (and if that Delta variant has anything to say about it, maybe 2022, and 2023...) and point to certain pieces of culture as representative of the "pandemic years". I'm quite convinced that Bo Burnham's Inside will be among the most often pointed to. Watching it with my friend, I said "This really is the Michelangelo's David of the pandemic".
I think that's because while Inside is very much *about* the pandemic specifically (it is titled "Inside", after all), it's also about "our time" in a bigger way. Infused with a humor so dark that it stops being humor and starts being tragedy, Burnham captures "That Funny Feeling" about living in what truly feels like the end times.
In fact, for all the accolades Burnham's songs "White Woman's Instagram" and "Problematic" have received in the glowing reviews for this special, I think "That Funny Feeling" is the song of Inside. It's the point at which Burnham's comedy transforms into something transcendent. It's a song about grief. It's a song about coming to terms not just with one's own eventual death, but the fact that no matter if one had children, wrote a book, started a company, spent their life giving to charity...in enough time, all of that will end and any trace of humanity's existence will be washed away on the shores of eternity. Heavy stuff for a comedy special.
But what is comedy if not acceptance of truth persisting, right? It is the role of the Fool, the Jester, to be the one person who is allowed to tell the truth. And the truth about this pandemic is not so much that it broke people, or that it cracked Capitalism open wide, but that it forced all of us to contemplate our own mortality. And I guess if you didn't spend at least some amount of time during the quarantine coming to terms with the fleeting nature of existence, enjoy that denial my friend.
Burnham serves as Fool, as Philosopher, and as Therapist. He uses his self-aware white guy persona to lure us in, joking that maybe he--a white guy--should "shut the fuck up" before admitting "I'm bored", and pointing out that we can truly heal the world with comedy. He then sings about Facetiming with his mom (she will regale him with the plot of the season six finale of The Blacklist) and sexting (he tries to take a picture of his dick, but the flash makes his dick look frightened). Burnham begins his special with exactly what you think it will be--a humorous reflection about moving all of life indoors and onto the internet.
And then comes "White Woman's Instagram", which some people complained was sexist, but they're obviously wrong and annoying, because it's a great song that accurately captures the je nais se quois of a certain type of Insta account which features "a golden retriever in a flower crown" and "incredibly derivative political street art". But then, Burnham hits us with this:
Her favorite photo of her mom
The caption says:
It's been a decade since you've been gone
I miss sitting with you in the front yard
Still figuring out how to keep living without you
It's got a little better, but it's still hard
Mama, I got a job I love and my own apartment
Mama, I got a boyfriend, and I'm crazy about him
Your little girl didn't do too bad
Mama, I love you, give a hug and kiss to Dad"
As the special continues, the tone shifts over and over from lighthearted to comedically dark (my favorite moment is Burnham's exchange with "Socko", the politically aware sock puppet) to "Is Bo Burnham ok? He's joking about suicide a lot and he looks like he hasn't showered in weeks." The line between entertainer and "one of us" gets frighteningly blurred. Inside often feels like both Burnham and the viewer are going through the stages of grief together, with "The Funny Feeling" being the stage of acceptance:
Total disassociation, fully out your mind
Googling "derealization," hating what you find
That unapparent summer air in early fall
The quiet comprehending of the ending of it all
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